Offline and off the grid
Jan 09, 2010
I ran into Marcel Proost this morning at the Gualala Farmers’ Market. He was inspecting a box of sad little parsnips. The market is held every Saturday in the parking lot across Highway One from where Bones Roadhouse barbecue used to be until it burnt to the ground last September.
“Not enough rain. I seen some good fungi up on the ridge this winter, but the root vegetables ain’t doin’ too well.”
I asked Marcel why he had been offline for almost three weeks. I knew that back in November he’d cobbled together his own computer from ancient Altair parts he’d found at the Annapolis dump and was surfing the Internet every day. He told me he was fond of visiting biker pages, reading about mushrooms and, being the devilish sort of guy he is, creating false Facebook and home pages. (The one he made called “Helmut Lachenmann: the paparazzi pix! ” caused a fury of consternation among hundreds of anxious young graduate students.) So I was curious why he’d not done any posts recently.
“You know, John, I’ve lost count of how many times I’ve been in a room or a public place and noticed that more than half of the people there are not there.”
“Not sure what you mean, Marcel,” I say. “How can you ‘be there’ and yet not be there.”
“Well, you take your average place where folks congregate—a coffee shop, or a library, or even someone’s living room. Nowadays at least half of the people in the room are in fact absent. Instead of “being here now” they are staring at some kinda screen, either their iPhones or laptops or Blackberries, or else their thumbs are working overtime on some text message of supreme, earth-shattering importance.”
“Yeah, I notice that a lot. I remember having dinner with family and friends recently, and one young person brought her Blackberry to the table and put it right next to her plate of turkey so she could keep an eye on it.”
“There’s a way in which being online is not being. That was sort of a Tao Te Ching realization I had on New Year’s Day. So I decided that instead of waking up in the morning and habitually logging on to Bikers World or one of my favorite libertarian sites I would just sit, enjoy my cup of chai and look out the window at those two crows who always are out there. Or maybe I might read a few verses from the Bhagavad Gita.”
“Yeah,” I say, “I see you have a nice new copy. Where’d you find that?”
“When I was in San Fran two nights ago I dropped by City Lights Bookstore and picked it up. You been there lately?”
“I have indeed, Marcel.” And a couple of years back I met Lawrence Ferlinghetti. I told him about my interest in Jack Kerouac and Big Sur, and damned if Ferlinghetti didn’t offer me use of his cabin at Big Sur.”
“Oh you mean Monsanto’s cabin! You know that ‘Monsanto’ was Kerouac’s nom de guerre for Ferlinghetti. So didja take him up on his offer.”
“I’m sorry to say not yet. I understand it’s a pretty Spartan place. I’m not sure whether even after all these years he’s still gotten round to going on the grid. You know, Marcel, I’m kind of a candyass when it comes to roughin’ it. I confess I do like good ole alternating current.”
“Well, you oughtta go visit there sometime. Anyhow, I gotta head out. That wild pig Zack shot last month? I’ve had it marinating in zinfandel since Thursday, and I gotta put it on to cook along with chantarelle gravy. So, John, Come on by the trailer tonight if you get hungry. I don’t think I’m gonna cook it with those lame little parnsips, though.”
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Copyright © 2010 by John Adams
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About Hell Mouth
Hell Mouth is a blog about music (mostly contemporary), literature (mostly good), politics (mostly pernicious) and culture (mostly American). It is written by John Adams with the help of several “friends” who live in the redwoods of coastal Northern California.
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Best of Hell Mouth
Composition Master Class
Some students will preface their presentations by an anecdote: “I got this rhythmic idea from the weird way my roommate snores.”
I want it...I want it...I WANT IT!!!!"
Leonard Bernstein tries to explain that mysterious essence of the musical experience: how and why does music convey emotion?
A Critic's Guide
I’m thinking this is ridiculous. “Marcel, you’re shitting me. You can’t even read music and now you’ve become a music critic!”
Hocking a Hooey at the Concert
The pianissimos are as intimate as a whisper. The concert hall is transfixed. And then, suddenly from somewhere in the back “WHOARGGGHHAAAARRRAAAAAACK!!!”
Frank Zappa wakes up president of Yale!
“Ladies and gentlemen I’ve worked my butt off on these two talks, especially this dazzler today about an antisocial German who contracts syphilis and takes to composing twelve-tone music.”
Continental Flyover with Sean Hannity and Theodore Adorno
I’m squashed into the window seat of my Jet Blue Experience, enduring the ritual Oakland to JFK American Heartland Flyover. Light reading this time: Adorno on Music.Hammerklavier at the Dog Show
Wondering if Boulez has ever been to a dog show, I leave early in the morning with Eloise sound asleep on the back seat and a bag of pricey dog food in the trunk.
On surviving a first rehearsal
Advice to composers: Try not to panic if you can’t recognize that noise coming from the stage as something you wrote.






Comments (4)
January 10, 2010
Chanterelle Gravy?!! and that horrid looking yellow gelatinous mire in what appears to be a deep fryer. Is this what passes for cuisine up on the north coast?
Perhaps you meant "Sauce aux Girolles?"
www.supertoinette.com/recette/823/sauce_girolle_de_to.html
January 10, 2010
I can sympathize.
January 11, 2010
Roughing it...urgh, English winter : The Worst : -20c and i haven't had electricity for 3 days. (Though the snow has been spectacularly beautiful - the cold doesn't bite so much when its beautiful for some reason.) The electricity has just come back on. (Serves me right for listening to Wagner on New Years Eve. I feel Wagner decided it was of earth shattering importance to deprive me of electricity for a while just to amuse himself : a Wotanesque punishment. Talk about tempting shafts of authority.) So my neighbours plugged into their computer game consoles and i put my headphones on and moderately galvanised by a pint of lager listened to Esa Pekka Salonen's Piano Concerto, followed by City Noir on Dvd, (erm wow, and wow...i must admit, even while listening to them its quite hard to believe how incredibly detailed these pieces of music are when you listen to them) So that was worth waiting for... I can't criticise the internet generation though (37 now), i spent most of my adolescence plugged into my personal stereo listening to Stravinsky, Beethoven, Strauss, A-ha, Pet Shop Boys and The Smiths. (So many paper rounds).
January 23, 2010
Dear Mr. Adams,
It would be quite an offering if you considered a song cycle based purely on the interruptions of text messages and their seeming randomness. The newly embraced colloquialisms -- vis-a-vis texting and instant messaging -- have all but replaced the communication our parents' and previous generations have enjoyed, e.g. face-to-face communication, or, gasp: letter writing. This seems like prime territory for you to provide appropriate social commentary that is at once sad and shocking, yet entirely commonplace.
Best case scenario: a smallish song cycle for tenor and piano, cor anglais, and string quartet. I happen to know an American lyric tenor who deeply admires your music and would do cartwheels for an opportunity to work with you as a collaborator! Please have a thought about this!
Kindest regards, Justin (that tenor...)